Download all four positions (SVG) See the inversion table

At the keyboard

D minor seventh chord

D · F · A · C

1 · ♭3 · 5 · ♭7 • Root position

Keyboard showing D, F, A, C from lowest to highestB3C4DE4FG4AB4CD5E5

Highlighted keys show the exact notes in this position. Note names are listed above.

Sound starts only when you press Play.

All four positions of Dm7

Dm7 positions, from lowest note to highest
PositionNotesBass
Root positionD – F – A – CD
First inversionF – A – C – DF
Second inversionA – C – D – FA
Third inversionC – D – F – AC

Inversion changes the bass, not the chord’s root or members. The third inversion puts the seventh in the bass. The diagram and audio follow the selected position; the table keeps every answer visible.

Build D minor seventh

Start with D, then find the third, fifth and seventh. Dm7 contains D, F, A and C. Its formula is 1 · ♭3 · 5 · ♭7, measured against a major scale on the same root. A seventh chord has four different notes, not seven.

Keep similar symbols separate

Dm7 is D–F–A–C. D7 raises F to F-sharp, while Dmaj7 raises both F and C to F-sharp and C-sharp. The m describes the minor triad; the plain 7 supplies the minor seventh.

Try a controlled listening comparison

Begin with D–F–A, then add C above A. Rotate the notes into F–A–C–D, A–C–D–F and C–D–F–A. The last position has C in the bass; D remains the root even though it is no longer the bottom note.

Use the chord in an original practice move

Try Dm7 → G7 → Cmaj7 using D–F–A–C, D–F–G–B, then C–E–G–B. D and F stay between the first two chords; G and B stay between the last two. Move slowly enough to hear those common tones rather than jumping to three unrelated hand shapes.

Sound the notes separately before playing them together. Split a wide shape between two hands or choose a closer position; the reference does not require a fixed fingering. Stop if a stretch is uncomfortable. Playback is synthesized and begins only when you press Play.

Check your result

  1. Say the four note names before pressing the keys.
  2. Identify the lowest note and match it to the table.
  3. Listen once together, then one note at a time. An inversion should keep the same four pitch classes.

Start with the D minor triad · Explore every root and seventh quality