Download all four positions (SVG) See the inversion table

At the keyboard

C major seventh chord

C · E · G · B

1 · 3 · 5 · 7 • Root position

Keyboard showing C, E, G, B from lowest to highestA3B3CD4EF4GA4BC5D5

Highlighted keys show the exact notes in this position. Note names are listed above.

Sound starts only when you press Play.

All four positions of Cmaj7

Cmaj7 positions, from lowest note to highest
PositionNotesBass
Root positionC – E – G – BC
First inversionE – G – B – CE
Second inversionG – B – C – EG
Third inversionB – C – E – GB

Inversion changes the bass, not the chord’s root or members. The third inversion puts the seventh in the bass. The diagram and audio follow the selected position; the table keeps every answer visible.

Build C major seventh

Start with C, then find the third, fifth and seventh. Cmaj7 contains C, E, G and B. Its formula is 1 · 3 · 5 · 7, measured against a major scale on the same root. A seventh chord has four different notes, not seven.

Keep similar symbols separate

Cmaj7 and C7 share C–E–G. Only the seventh changes: B for Cmaj7, B-flat for C7. Neither symbol means C minor seventh, which also lowers E to E-flat.

Try a controlled listening comparison

Play C–E–G, release it, then play C–E–G–B. Listen for the extra note just below the next C. Next play the first inversion E–G–B–C: the nearby B and C are a semitone apart, even though B is a major seventh above the root in root position.

Use the chord in an original practice move

Try Cmaj7 → Fmaj7 using C–E–G–B followed by C–E–F–A. Keep C and E in place; move G to F and B to A. This is an original two-chord comparison of shared notes, not a song transcription.

Sound the notes separately before playing them together. Split a wide shape between two hands or choose a closer position; the reference does not require a fixed fingering. Stop if a stretch is uncomfortable. Playback is synthesized and begins only when you press Play.

Check your result

  1. Say the four note names before pressing the keys.
  2. Identify the lowest note and match it to the table.
  3. Listen once together, then one note at a time. An inversion should keep the same four pitch classes.

Compare C7 and its B-flat · Explore every root and seventh quality